Visual Liberation is decolonizing the gaze and conception of movies and celebrating the underdog’s vision of life as it pertains to challenging racism, misogyny, and capitalism on screen…and in life.
Visual Liberation (or “Cinematic Decolonization”) refers to movies that are made with the purpose of freeing both the audience and the creator’s minds, freeing them of the shackles of mental oppression, the remnants of a colonized (brainwashed) mind. Whether they are mainstream, downstream, commercial movies or obscure films — it doesn’t matter. But they must exhibit some kind of genuine revolt within their frames. And they must not be films with a corporate agenda exploiting social unrest and “issues” that are fashionable, which is what Hollywood and advertising have done, rendering true revolutionary fervor obsolete, ironic, or safe.
What we forget – or perhaps never directly acknowledge– is the fact that what we regard as a “movie,” in the traditional American Hollywood sense, is a conception of the Western World’s White Ruling Class. It’s disturbing that, instead of trying to evolve one’s own aesthetic and ideas of how to usurp the rules dictated and imposed by Hollywood filmmaking, filmmakers with a social conscience attempt to make “important” message movies by using the very same rules and techniques and beliefs created by the hallmark of imagistic racism and misogyny: Hollywood.
Visual Liberation is at once personal, political, and radical in both and style and content. These are simply movies made as “Protest Films” the way protest music is made and oppose capitalist and xenophobic values (Hollywood) and regards socially conscious cinema as a combination of radical acting, writing, directing, editing, etc.
Visual Liberation is an ever-changing list of films and discussions about movies that could potentially be regarded as literal “protest” films. The goal of this is to remind ourselves that true insurgent art does (and can) exist within the marginalized and oppressed classes who don’t need permission to make films, that marketing companies don’t own history and socially conscious films don’t need to be dictated to and produced by Corporate Media companies in order to be “important”.
Dennis Leroy Kangalee has written, theorized, and executed “protest cinema” and now after nearly 20 years later of having the honor of closing the Brecht Forum’s Visual Liberation film festival in 2002, his ideas and ruminations on narrative filmmaking and revolution have developed into a series of sketches/essays that becoming the blueprint for a podcasts, interviews, and “sermons” dedicated to reinstating the venom of insurrectionary art and the danger of ideas/emotions presented on screen.
In workshops, lectures, or zoom webinars — he teaches by celebrating well known scenes from beloved mainstream films to depictions from the outer edges of our society, removed from the radar of the zeitgeist. His modus operandi is recognizing the power of those under acknowledged films that rightfully deserve their place and critical assessment -alongside the best of Rap and Punk music, for example – and contextualizes protest drama and films as it relates to the author’s experience leading up to the work.
For inquiries about workshops, lectures, or tailored seminars for your school or program please email email@example.com.