A Brother’s Whisper Blows Minds at The NYADIFF:

Lakethia Dalcoe & Che Ayende as the conflicted Husband and Wife in A Brother’s Whisper

Jacinto Tarras Riddick’s feature film debut A Brother’s Whisper closed the 30th NY African Diaspora International Film Festival on December 11th, 2022 6:30 pm in the Cowin Center, Teachers College at Columbia University.

It was just voted as TEN of The BEST FILMS at the 2022  African American Diaspora International Film Festival and will be shown again JANUARY 14, 2023 at 8:00PM at The Chapel, Teachers College – Columbia University, NYC. Below is the link.

A Brother’s Whisper + Q&A | Best Of ADIFF NYC 2022 (eventive.org)

The rain, inclement weather and darkness of the seasonal night did not divert or dissuade a packed house at Columbia University where audiences witnessed Riddick’s intense drama that has upped the game for contemporary screen acting, writing and directing…and has become the new conscience of independent filmmaking and Black filmmaking in the USA. I declared this film the Best American independent film of 2022 back in July.

Brooklyn auteur Jacinto Taras Riddick offers a new vision in his deceptively simple chamber drama starring Che Ayende, Lekethia Dalcoe, James T. Alfred, and the director himself. Seething with the biblical urgency of James Baldwin, the tension of Harold Pinter, and transgression of Pasolini — A Brother’s Whisper has consecrated a fresh tone of American cinema that returns to character-driven drama and blurs the line between commercial and avant-garde cinema. It is a modern classic that has looked back in order to go forward – and given the opportunity could possibly change a life. My original review and reflections on the film can be read here: The Luminal Theater’s Wavelengths.

You can learn more about this particular screening and the film itself at: https://nyadiff.org/ and https://coloredsectionfilms.com/

The Wit & Warmth of Kathleen Collins

Kathleen Collins’ The Cruz Brothers and Miss Malloy gives us an urge to be free, to literally want to run and “find ourselves.”

Click here to read last month’s piece in the Luminal Theater’s Wavelengths — my “review” and remembrance of Kathleen Collins’ warm and loving first feature, The Cruz Brothers and Miss Malloy – her remarkable introduction into the world of long-form narrative filmmaking . Collins’ sparkling humor and insight into life was not only attractive, but muscular and always curious on screen. Her intelligence alone would make most director’s tremble in their boots. And all of this organically and humbly developed into style which she draped into a confident shawl with her masterwork, Losing Ground.

The Radical Glimmer of Billy Dee Williams – Pt. 1

The art, passion, and myth of Billy Dee Williams

The first part of my profile on the dignified celebrity, intelligent actor, radical artist and spiritual human being…as you may never have had illuminated for you before. More than Star Wars and Colt 45 and Diana Ross, Williams was a very socially-conscious actor and still is a remarkable artist and insightful human being.

Enjoy Part One in the Luminal Theater’s Wavelengths, published by Curtis John.

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